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Radio 1 Online Fatboy Slim Mixing Game!
get your hands dirty with this cool online mixing game.
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In this new era of changes having a 3D hologram lead singer is just a natural step. Check out this video and let us know if she can be your new idol.
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Can wait to mix a song with the guitar parts made with this amazing new Air Guitar!
You can buy it on www.isharegifts.com
[via waitmag]
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Article from “The Wire”, November 1995
Earlier this year, Radio 3 sent a package of tapes to Karlheinz Stockhausen.
The tapes contained music by Aphex Twin, Plasticman, Scanner and Daniel
Pemberton. Then in August, the station’s reporter Dick Witts travelled to
Salzburg to meet Stockhausen and ask him for his opinion on the music of
these four “Technocrats”. But first, they talked about the German composer’s
own youthful experiments in electronic synthesis…
—————————————————————————-
DW: When you started as a composer, how different were the conditions from
today?
KS: I studied music as a pianist, and learning all the traditional
techniques of composing, in an institution called Stadtliche Hofschule für
Musik. We had about ten disciplines to study: choir, orchestra, conducting,
piano was my main instrument, then musicology, harmony and counterpoint. I
wrote several works in traditional styles, but also two works, so-called
‘free compositions’, one for orchestra and alto voice, a work which is still
available on CD called the Drei Lieder. I started composing at the age of
20, 1948, the first time I considered my music to be of some general
importance, and they are available, like the violin sonatina…
Why did you consider those works a beginning?
Because everything that could be studied with the professors at the
conservatory, the other students also were able to write. So there was
nothing special to write a fugue or to write a piece in the style of
Hindemith. But it was special to write something different from all other
composers. I wrote, for example a small theatre piece, Burleska, together
with two colleagues. We divided the piece into three parts. My part did not
sound as the newspapers said [of the other two parts] like Orff, or like
Hindemith, but different. So I was very proud that they said my section did
not sound ‘like’ something.
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a Midi Guitar that can control lights
www.ArcAttack.com
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Mobile Cinema
The Vintage Mobile Cinema company brings you a unique slice of cinema and automotive history, combined together to give the audience an exciting film viewing experience unavailable anywhere else.
more on http://www.vintagemobilecinema.co.uk/
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SimpArp is an easy to use MIDI-Apeggiator plugin. Use it with any synth (-plugin) to create these well-known sequences. Special features: host-sync, shuffle, adjustable note length with overlap at max point (for mono glide sounds), velocity adjustable or input pass thru. No installer, copy-protection, adware, spyware or whatever !
SimpArp is the free version of our upcoming D-ARP, a dual-arpeggiator plugin with some extras like interaction of the two units with scale chord generation.
(Coming soon – watch this site for news)
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ReacTable Mobile has arrived for iOS mobile devices – even handhelds – bringing the visual, modular sound-making environment to the masses.
Full details:
http://www.reactable.com/products/mobile/
Get in on iTunes for $9.99
http://itunes.apple.com/app/reactable-mobile/id381127666?mt=8
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Generate slithering “Axis Bold as Love” textures. Use Filter Matrix mode to manually flange your sound or select a flange point allowing musically frozen tonalities. This is the only pedal where lush Stereo Flange and Stereo Chorus work together seamlessly for the richest modulations that undulate and flow over any stage or recording. Colorful and seductive in stereo.
find out more on www.ehx.com/products/stereo-electric-mistress
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