equipment

There have been numerous iPhone/iPod touch applications released, and musical instrument application is one of the popular categories among users.
Guitar, bass, piano, ocarina, the list goes on and on.
EVENNO introduces The Fingerist which is a music adapter that allows you to play those applications on iPhone/iPod touch like a real guitarist.
The Fingerist is a new style iPhone/iPod touch accessory that enables you to play your applications as if you are actually playing musical instruments.
This music adapter has a built-in speaker that operates on 3 AA batteries which will enable you to perform 6-hour stage live.
find our more on evenno.com
OTTO is an electronic musical instrument for realtime manual beat slicing of audio samples.
OTTO provides a tangible user interface designed with the aim of giving the user the feel of having the sample in his hands. The musician can manipulate an audio sample in real time through the use of a restricted number of simple physical buttons and switches.
In computer music audio samples are generally represented as the waveform itself or as little colored blocks. Since the sample inside OTTO as to be controlled really fast, the performer needs to quickly understand where and how to play a specific part. The sample visualization has been designed to provide just the information needed and nothing more.
[via www.lucaderosso.com]
The MoshPit Amp, by Fur, is an automata that converts headbanging movements into metal music. Through style and intensity of your head banging, you are the conductor of a virtual metal band consisting of four instruments: vocals, bass, drums and guitar. you can control the volume as well as the pattern of each instrument to create engaging musical arrangements. If you mosh really hard you can trigger a guitar solo for the ultimate rock experience. Your performance in front of the amp will additionally be supportet by a lightshow with smoke, flash and pyrotechnics.
[via www.random-magazine.net]
Station MIDI controller by Ander (www.ander.fm)

Now available from Apple’s App store is an iPhone/iPad/iPod touch version of TC Electronic’s PolyTune guitar tuner, which allows checking the tuning of all guitar strings simultaneously. This 1:1 port of TC’s award-winning PolyTune pedal tuner offers the exact same tuning technology and features found in the pedal version. It also offers an onboard chromatic tuner with ±0.5 cent accuracy.
Polyphonic and Chromatic modes both work for guitar and a 4-, 5- and 6-string bass used with an iPhone or an iPad. The internal mic allows instant tuning of acoustic guitars; for tuning electric guitars, a mini-jack to ¼-inch adapter is required.
The first 25,000 download copies of the PolyTune iPhone App are offered free of charge; afterward the price is going to be $9.99.
For more information visit Apple’s App store or go towww.tcelectronic.com/polytune.asp.

Genelec 9000A Stereo Volume Control provides convenient volume control for all Genelec loudspeakers. The volume control input and output have 3.5 mm stereo male and female connectors providing immediate connectivity with most computers and laptops, MP3 players and game stations. The 9000A is available in three colours: Black, Silver and White.
A converter cable converting 2 x RCA to 3.5 mm stereo (female) is needed for audio equipment with RCA outputs. A converter cable converting 3.5 mm stereo (male) to 2 x XLR (male) is needed to use 9000A Stereo Volume Control with Genelec monitor loudspeakers having XLR output. These cables can be obtained from an authorized Genelec dealer.
The connecting cable on 9000A is Y-shaped. After 1 meter (3 ft 3″) from the control knob the single cable splits into two 1 meter (3 ft 3″) cables, one for audio input, one for audio output.
more info on www.genelec.com
When using a computer-based recording system, there is nothing more unnerving than the incessant whirring of the fan inside the computer and the fragmented and irregular clicks and pops of the hard drives saving, loading, and saving. Many believe that short of spending hundreds of dollars (even thousands!) on specially made enclosures, the only other solution is to remotely locate the computer in a closet or another room. This paper presents a few other solutions worth considering.
High frequencies are more directional than low frequencies and they also contain less energy. This means that you require less mass to contain their sound and thinner absorptive panels. Knowing this, let’s apply these two concepts to a typical studio workstation setup using a three step approach:
Step 1 Add a front door
Most project studios employ a desk of come sort as a workstation. The computer is often located out of the way under the desk in a computer ‘tunnel’ that includes a low lying shelf which is open at the front and in the back. The noise is escaping from both access points. So the first thing to do is to add a solid door to the front. Most hardware stores sell a variety of standard kitchen cabinet doors and these can be custom ordered to fit. The best choice of door will be a good heavy one made from melamine as it will contain more sound. Bring your desk opening drawing with you so that the hardware specialist can recommend the best hinge to suite your particular need. If you want to get a glass door, try to get one that has a good heavy pane of glass and make sure it does not rattle. Most doors are designed to expand and contract so they do not glue the panel inside the rails. If your door rattles, add a silicone bead. You should also apply good weather stripping to surround the door opening. Remember, if air can pass so will noise.
Step 2: Absorb the noise before it gets out
Now that the noise exiting the front of the cabinet will be significantly reduced, we have to treat the noise inside the tunnel itself. Think of it this way: by reducing the noise at the source, it will be mush easier than trying to deal with it after it escapes! Remember: Because we need to provide the computer with fresh air, we cannot simply put another door on the back. Enclosing the computer would result in recycling hot air which of course could cause your system to overheat.
The best way to quiet down the noise is to line the inside of the tunnel with 1″ thick Broadway panels. You should line the sides and top and even the front door if you can. Just make sure you leave sufficient space so that air can flow. Because the whirr of the computer fan is usually quite high, the 1″ thick panels will provide effective results. All you need is standard construction adhesive some 1.5″ finishing nails and some Broadway panels. For safety, it is always best to use fiberglass panels. Urethane foam panels can dry out and end up causing a dust problem for your computer which could clog up the fan or create problems in the electronics. Fit the panels inside the tunnel best you can to cover the surfaces. You can then cut the panels to fit by first pulling the excess fabric out of the way and then re-gluing it to cover the edges. Add a bean of adhesive around the perimeter and then X from corner to corner. Use a couple of finishing nails to hold the panels in place to allow the glue to set.
Step 3: Control the noise exiting the tunnel
The final step involves doing what you can to reduce the noise that is exiting the back of the tunnel. This is done by treating the wall (or walls) behind the desk. Remember, high frequencies are directional. This means that the exit port of the tunnel where your computer lives has now become a horn. The direct sound exiting the horn will reflect off any adjacent walls and follow a vector. By treating the wall you will eliminate these reflections. You can use 1″ thick Broadway panels to do this or if you happen to have some extra 2″ panels, you will increase the attenuation.
Although this 3 step approach will not completely eliminate computer noise, it will do wonders at reducing the noise problem without breaking the bank. This do-it-yourself project is easy to do and it will definitely help lower the residual noise your studio.
[via primacoustic.com]

No longer will your cymbals bleed into the rest of your drum kit — Primacoustic has released its new CrashGuard drum microphone shield, a device that isolates the drum mic to attenuate the sound of cymbals during the recording process.
The CrashGuard sound-shielder, when placed just below the crash, reduces interference between the cymbal and microphone, and in turn provides better control over the sound of the drum. You can use the CrashGuard on the snare and hi-hat, tom and crash, and other percussion.
Compact and very light in weight, the CrashGuard fits most major drum microphones and mounts directly onto the boom stand using the microphone’s clip to hold it in place. Thanks to its high-impact ABS construction, the CrashGuard is tough and durable, strong enough to withstand the hit of a drum stick by even the most aggressive drummer, according to the manufacturer. Taylor Hawkins (Foo Fighters), this one is for you.
Its under-belly is fully coated on the inside with high-density, open-cell foam that absorbs internal reflections and reduces phase cancellation. In addition, the CrashGuard’s design features an extended cable cutout that allows the microphone to be articulated for precise placement and provide an even better performance.
But how does it really work? Once in place, the CrashGuard surrounds the microphone with a sonic barrier. By reducing the spill from the cymbals, more of the drum sound can be captured. Engineers and the like can then add EQ to the drum, increase the high end for more attack, and so forth, without accentuating the sound of the cymbal. On close proximity sources like the high-hat and snare, the resulting recordings will have a greater balance over each sound.
CrashGuard features at a glance:
- Reduces sound of cymbals from spilling into drum microphones
- Lightweight design fits most microphones
- Allows drum mic to be articulated for precise aiming
- Improves isolation for added control over each drum
The CrashGuard drum mic shield is now shipping and readily available for $40 (MSRP). For more information, please visit Primacoustic (courtesy of Radial Engineering) at radialeng.com.

In addition to the new CrashGuard sound shielder, Primacoustic has announced its release of KickStand, a microphone boom stand isolator that keeps resonance from the stage, drum riser, and studio floor from entering your drum mic.
With its heavy stabilizing base and a high-density foam isolation pad, the new KickStand helps decouple the microphone stand from the source, while introducing a stabilizing mass to hold the microphone in place.
Resonance on live stages causes problems for bass guitars and bass drums, notes Primacoustic. Low frequencies often couple with the wood platform, combine at certain frequencies, and generate unwanted peaks. Another problem with live performances is that the physical vibration from the kick drum pedal and low-end from the PA system causes the drums to rattle and transmit through the drum riser, and microphones that are near these sources are prone to picking up these unwanted sounds unless they are decoupled. If you have a KickStand in place, you won’t have that problem.
The KickStand’s design begins with a thick high-density foam isolation pad that covers the entire bottom. A laser-cut steel platform is shaped to eliminate standing waves and provide enough height to allow a boom stand to swing into position. The resulting isolation thus eliminates resonance, while the added mass stabilizes the microphone capsule for better clarity and improved transient response.
About the KickStand, the company president Peter Janis says, “A couple of years ago, we invented a device called the Recoil Stabilizer that improves the performance of the nearfield monitor by both eliminating the resonance from the meter bridge while reintroducing a mass component to stabilize the loudspeaker. The success has been tremendous with many of the world’s leading engineers now using Recoils whenever they mix. We felt that this same technology could be applied to stabilizing microphones. The KickStand is the first of these to be released.”
Available now, the KickStand kicks off at $90 MSRP ($75 Street). For more details, please visit Primacoustic (courtesy of Radial Engineering) at radialeng.com.
[via gearwire.com]

If you’ve been into softsynths since the beginning, you undoubtedly remember the initial offering from a little Swedish company called Propellerheads. Rebirth was one of the first widely popular software synths and emulated the infamous Roland TB-303 and TR-909 and 808 drum boxes.
[via Waveformless]

The video here guides you through the following steps.
General optimisation:
1. Set your computer’s power for high performance
If your computer is set to conserve energy, the CPU may not be running at full speed all of the time. This can have a detrimental effect on your computer’s audio performance. To set your computer’s power for high performance:
- Go to: Start>Control Panel>Power Options
- Choose “High Performance”
- Click the “Change plan settings” button.
- Make sure both power options are set to “Never”
2. Disable system sounds
System sounds can interrupt audio. Ensure that they are disabled by doing the following:
- Go to control panel and select “Sound”
- Go to the sounds tab
- Under sounds scheme, select “No sounds”
- Click “Apply” then, “OK”
3. Enable DMA (Direct memory access) on each IDE channel
This allows data to be transferred directly into the memory and can improve audio performance. To ensure that DMA is enabled:
- Open device manager
- Expand the IDE ATA/ATAPI controllers category then double click on each one of the IDE channels
- Under the ‘Advanced settings’ tab, make sure the ‘Enable DMA’ box is ticked in device properties
Please note: this only applies to some hardware and if this option is not available, you should not worry about completing this step.
4. Set processor scheduling to “Background services”
This will improve the performance of your audio drivers on your computer. To do this:
- In control panel select “system”
- Go to “Advanced system settings” and then the “Performance” tab
- Set processor scheduling as “Background Services”
- Click “Apply” then “OK”
5. Disable Windows Firewall, anti-virus and spyware software
These should all be disabled to ensure that no interferences occur during audio recording or playback and to ensure that maximum resources are available. To remain secure while your firewall and antivirus disabled, it is advisable to temporarily disconnect from any internet connections when working with audio.
Advanced optimisation:
If you wish to optimise your system further, or you are using a system that is particularly lacking in resources you can follow the tips below for advanced optimisation.
Disable Visual effects
The visual features in Windows 7 can use resources that could otherwise help to improve audio performance. As a start, it is good idea to disable some of the visual features by doing the following:
- Press start and in the search box type: “SystemPropertiesPerformance” and press enter
- On the visual effects tab select “custom”
- Untick: “Animate windows when minimising and maximising” to help prevent glitches when minimising and maximising. You can also experiment with disabling other visual effects in the custom list to see how they improve audio performance.
- Once finished, press “OK”
If you wish to optimise your Windows 7 graphics for the best performance use the “Adjust for best performance”. Although improving computer performance, this will make your Windows 7 appear a lot less aesthetically pleasing.
Disable Windows services
One way in which you can make more resources available to improve audio performance, is to disable unnecessary Windows 7 services as these use valuable resources. The following site has a comprehensive guide to the services running on Windows 7 and helps locate the services that are safe to disable:
Windows 7 Service Configurations by Black Viper
[via www.focusrite.com ]
Welcome to online-mixing.com
Your online mixing and mastering studio.
This is where you get your recorded music mixed and mastered in the way you want.
With us you can achieve the same high quality sounding mix as today’s major artists.
Get in touch!
We will be happy to hear from you, no matter the subject. For contacting us please use our contact page
To stay updated on our news and promotions subscribe to our Newsletter













