guitar

The 70th Anniversary John Lennon Imagine Model,  J-160VS and the John Lennon Museum J-160E Model

Seventy years after his birth and three decades after his untimely passing, John Lennon’s message of peace continues to touch the masses, and his songs still resonate in the hearts and minds of fans around the world. At the request of Yoko Ono, Gibson Guitar is proud to offer three 70th Anniversary John Lennon J-160E acoustic guitars to celebrate the legacy of this extraordinary artist. Accordingly, only a very limited number of these handmade acoustics will ever be available.


In 1962, John Lennon was still an up-and-coming artist, and though one of two main singer/songwriters at the heart of The Beatles, was scraping by on the little money the band was bringing in at that time. For his first quality American acoustic/electric guitar, Lennon had his sights set on a new Gibson J-160E – the problem was, he didn’t have the money to buy it. With the aid of a co-signed purchase from Beatles manager Brian Epstein (who also co-signed for bandmate George Harrison’s J-160E), Lennon made the guitar his own, and put it straight to the business of making rock and roll history. Recreated by the luthiers at Gibson’s Montana acoustic guitar facility in period-perfect detail, the 70th Anniversary John Lennon models are available in three distinct versions to represent the instrument at three periods in Lennon’s life and career. The first, finished in Vintage Sunburst and limited to 500 guitars, represents the guitar as it was when Lennon first acquired it and used it on several famous Beatles recordings from 1963 to ’64, including Please Please Me, With The Beatles and A Hard Day’s Night.

The second is a stunning Custom Shop “Imagine” model in a Soft White finish personally requested by Yoko Ono to reflect the sentiment of John’s life and music during the recording of Imagine. And the third is the model as it is today, on display at the Rock and Roll Hall of Fame in Cleveland, with a thin, natural finish and Lennon’s famous “John and Yoko” caricature sketches, representing the appearance of the guitar during the famous Lennon-Ono “Bed-In” peace protests of 1969.

The custom shop’s second and third renditions are limited to 70 guitars each, one for every year since John’s birth in 1940, and both include a special 70th Anniversary Certificate personally signed by Yoko Ono and sent to the final purchaser by Certified Mail. As for construction, each version is an accurate rendition of the J-160E of 1962, a guitar originally released in 1954 as one of the world’s first successful “electro-acoustic” guitars, with built-in pickup and electronics and ready to hit the stage for the professional performing musician. Beloved by Lennon, and kept close throughout his too-short life, the 70th Anniversary John Lennon J-160E is a guitar every Beatles fan will want to make their own.

find out more on Gibson Website

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Check out the new Fender Blacktop Jazzmaster HS, one of four new guitars to join the company’s Blacktop series. According to Fender, the Blacktop Jazzmaster HS expands the capabilities of the classic Fender Jazzmaster guitar by powering it with a high-gain humbucking pickup.

Available in a pretty sunburst finish or a shiny black, the Blacktop Jazzmaster HS features a Duncan Designed single-coil Jazzmaster neck pickup and a humbucking bridge pickup, along with skirted black amp knobs, a Jazzmaster tremolo tailpiece, and a control layout featuring a single three-way toggle switch. This guitar has an alder body, a maple neck with 9.5-inch radius Rosewood fretboard, 22 medium jumbo frets, a gloss polyester finish, and chrome hardware.

The Blacktop Jazzmaster HS, priced at $700 (MSRP), comes in two colors: the 3-Color Sunburst with a Rosewood fretboard (Part #014-8400-500) or Black with a Rosewood fretboard (Part #014-8400-506).

Fender Blacktop Jazzmaster HS specs:

  • Body Material: Alder
  • Number of Frets: 21
  • Fret Size: Medium Jumbo
  • Position Inlays: White Dot Position Inlays
  • Fingerboard: Rosewood
  • Fingerboard Radius: 9.5″ Radius (241 mm)
  • Fretboard: Rosewood
  • Neck Material: Maple
  • Neck Finish: Gloss Urethane
  • Nut Width: 1.650″ (42 mm)
  • Scale Length: 25.5″ (648 mm)
  • Neck Plate: Vintage Style 4 Bolt
  • Truss Rod Nut: 3/16″ Adjustable Hex Nut
  • Pickup Configuration: H / S
  • Bridge Pickup: Hot Vintage Alnico Bridge Humbucking Pickup with Nickel Cover
  • Neck Pickup: 1 Duncan Designed Single-Coil Jazzmaster Pickup (Neck)
  • Pickup Switching: 3-Position Toggle: Position 1) Bridge Pickup, Position 2) Bridge and Neck Pickups, Position 3) Neck Pickup
  • Controls: Master Volume, Master Tone
  • Hardware Finish: Nickel / Chrome
  • Bridge Hardware: Vintage-Style Jazzmaster Tremolo with Adjusto-Matic Bridge and Tremolo Lock Button
  • Tuning Machines: Standard Cast/Sealed Tuning Machines
  • String Nut: Synthetic Bone
  • Switch Tips: Black Switch Tip
  • Tremolo Arm Handle: Vintage Jazzmaster Tremolo Arm
  • Truss Rod Wrench: 3/16″
  • Strings: Super 250L’s, NPS (.009-.042 Gauges)
  • Unique Features: HS Pickup Configuration, Simplified Controls/Switching, Black Skirted Amp Knobs
  • Pickguard: (500) 3-Ply Black, (506) 3-Ply Mint Green
  • Included Accessories: Truss Rod Adjustment Wrench
  • Control Knobs: Skirted Amp Knobs

To learn more about the Blacktop Jazzmaster HS or any of the other guitars in the Fender Blacktop series, visit fender.com.

[via gearwire.com]

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Authentic Amp Stack Sounds from a Stompbox

Tower of Power

The ST-2 delivers the playing feel and power that are hallmarks of stack amps. It was derived from BOSS’ extensive analysis of the sound and characteristics of a vast number of classic guitar amps. This distortion effect delivers authentic tone and expression that responds naturally to picking nuances and volume changes on your guitar. But emulation is only the beginning, as the ST-2 has the ability to go beyond the sound of real amps.

Crunch, Drive, Ultra High Gain

The ST-2 lets you enjoy a rich, clean tone when playing soft, and smoothly transition into a fat crunch as you play harder — great for rock ballads or songs that require dramatic tone shifts. Imagine the powerful, driving sound of a stack amplifier. An authentic classic-rock tone is here as well, with crisp overtones. Turn up the SOUND knob for a heavy-metal tone. The ST-2 allows extreme high gain, but offers a powerful low-end and sharp edge at the same time.

SOUND Knob

The SOUND knob is a controller that is uniquely BOSS. Simply set it to the tone type you’re looking for. The SOUND knob not only changes gain but sound character as well, from brisk crunch and spectacular drive to earth-shaking ultra high gain.

Road-Tough BOSS

BOSS compact pedals are world-famous for their great sound as well as their road-tough construction, consistency, and reliability. The ST-2 inherits this BOSS-proven design, offering guitarists a solidly constructed pedal that’s built to withstand decades of demanding use.

For more information, visit the official Boss Web site.

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Guitarist is a complete guitar playing software, including different guitars, amps, effects and a versatile step sequencer system which makes it easy to create “insane” guitar riffs and licks on the fly.

Convincing guitar riffs, combined with amps, wah pedals and effects. The actual guitar player has been transformed into a step sequencer system that allows control of playing styles, chord progressions and song structures. Guitarist can be played live as well, with just two fingers you can combine chords and patterns easily. You can choose from factory chords or just create your own chords on the fingerboard. The Action Section allows you to tweak the sequence in realtime and apply timestretch, looper or other crazy effects.

Some more info about the single features:

  • Pattern Sequencer: On 16 steps you can determine if a chord is triggered, which strings are played and if the strum goes up- or downward. The playing style (normal, dead, damped) can be determined and the strum speed can be made slower or a double strum ca be triggered. Slides, bends, vibrato and portamento can be made and strings can be stopped at any time.
  • Chord Sequencer: On 16 steps you can create chord-progressions from the factory chords or self-made user-chords. Each step of the chord sequencer can be repeated up to 16 times. That way you can create long lasting compositions and change chords also earlier or later.
  • Animation: In the animation sequencer each finger can be moved up or downward by 3 seminotes. You can use it for little melodies and alternating chords and it brings immediate beauty and life to your riff.
  • Song: On 16 steps you can combine the 24 available patterns to create songs or complex riffs. Each step of the pattern sequencer can be repeated for up to 16 times, that allows long pattern progressions and pattern changes also at uneven times.
  • Action Section: Here you get some realtime action to tweak the pattern with just pressing a button. Quickly apply a Looper, Timestretcher, slow the sequencer down or force dead or damped notes.
  • Amp: Two amp models are available as well as a direct out mode for your favorite amp-emulator-software.
  • Effekte: Two effect-units with 10 effects altogether provide the colors you are looking for. Additionally there is a multimode Wah Pedal that provides a classical wah, talk wah and volume pedal/tremolo mode.
  • Guitar: Each finger on the fretboard shows its note name which makes it easy to identify, alternate and create chords. 24 chords can be saved on the “Chord Board” to be called with the Sequencer or with your keyboard.
  • Keyboard: Here the sequencer is triggered and the 24 User-chords and Patterns are called for playback and editing.

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Aug 4

Stereo Guitar

Posted in: BLOG, Technology, Video | No Comments
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Summing up the appeal of his upcoming Epiphone Slash Appetite For Destruction Les Paul, Slash tells MusicRadar, “The guitar that I used for Appetite, the Use Your Illusion records, Snakepit and my new record, it’s a replica of that guitar. The sound on Appetite is a very sought-after tone – I’ve been hearing that for years and years – so this Epiphone Les Paul is for the die-hard fans who really love that sound.”

keep reading on www.musicradar.com

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e1m_web_fixed_2

“The spirit of sonic exploration kindled by The Moog Guitar has led many intrepid guitarists to imagine the possibilities of combining its ground-breaking innovations with MIDI guitar technology. At Winter NAMM 2010, imagination became reality: introducing The Moog Guitar Model E1-M.

Works With the Latest MIDI Converters and Virtual Guitar Systems

Fast, Accurate Tracking, Low Latency Design

Industry-Standard 13 Pin Hex Output

Magnetic and Piezo Pickup Signals Still Accessible

Added Controls: MIDI Volume, Output Toggle & MIDI Patch Change Toggle

Existing Moog Guitar Players – Upgrades are available!

Visit the Moog website for photos, videos, specs and more.”

[via the MATRIXSYNTH]

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Recording An Acoustic Guitar

Learn the basics of mic placement, EQ, pick-up use, and panning for an ideal acoustic sound.

Related Posts with Thumbnails

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