music
1) Go to Google Translate
2) Set the translator to translate German to German
3) Copy + paste the following into the translate box: pv zk pv pv zk pv zk kz zk pv pv pv zk pv zk zk pzk pzk pvzkpkzvpvzk kkkkkk bsch
4) Click “listen”
5) Be amazed 
Good job, Reddit!
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Zimoun : 186 prepared dc-motors, cardboard boxes 60x60x60cm, 2010. from ZIMOUN VIDEO ARCHIVE on Vimeo.
by zimoun
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NME for iPhone, iPod Touch
The New Musical Express (better known as the NME) is a popular music magazine in the United Kingdom.
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Article from “The Wire”, November 1995
Earlier this year, Radio 3 sent a package of tapes to Karlheinz Stockhausen.
The tapes contained music by Aphex Twin, Plasticman, Scanner and Daniel
Pemberton. Then in August, the station’s reporter Dick Witts travelled to
Salzburg to meet Stockhausen and ask him for his opinion on the music of
these four “Technocrats”. But first, they talked about the German composer’s
own youthful experiments in electronic synthesis…
—————————————————————————-
DW: When you started as a composer, how different were the conditions from
today?
KS: I studied music as a pianist, and learning all the traditional
techniques of composing, in an institution called Stadtliche Hofschule für
Musik. We had about ten disciplines to study: choir, orchestra, conducting,
piano was my main instrument, then musicology, harmony and counterpoint. I
wrote several works in traditional styles, but also two works, so-called
‘free compositions’, one for orchestra and alto voice, a work which is still
available on CD called the Drei Lieder. I started composing at the age of
20, 1948, the first time I considered my music to be of some general
importance, and they are available, like the violin sonatina…
Why did you consider those works a beginning?
Because everything that could be studied with the professors at the
conservatory, the other students also were able to write. So there was
nothing special to write a fugue or to write a piece in the style of
Hindemith. But it was special to write something different from all other
composers. I wrote, for example a small theatre piece, Burleska, together
with two colleagues. We divided the piece into three parts. My part did not
sound as the newspapers said [of the other two parts] like Orff, or like
Hindemith, but different. So I was very proud that they said my section did
not sound ‘like’ something.
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Now we’re over halfway through the year, NME thought it was high time we looked back and rounded up the most exciting new acts to surface in 2010.
more on NME website
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If you just can’t get enough of early Depeche Mode, you’ll be happy to know that Vince Clarke & Martin Gore are working on a techno-ish track called Zaat.
[via Vince Clarke]
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