technology
USB MIDI on the iPad
A demonstration of using the Pianist Pro with the Apple Camera Connection Kit as a USB MIDI interface. Plug in a MIDI sound module and control it from your iPad. Alternatively plug in a MIDI keyboard and use Pianist Pro as a simple MIDI recording studio.
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The first guitar for Geeks, Gibson introduce Dusk Tiger the Next Generation of Robot Technologies
Gibson introduce Dusk Tiger, a super guitar full of technology… is you are a geek this is your guitar!
Here how it works:
to know more visit gibson
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From the same guys under Audiotool. This is Nudge. “iNudge is a virtual-instrument widget designed for self-expressive online music making & sharing.” Play it here.
- Select 1 of 8 different Sound Patterns from the small Matrixes icons on the right.
- Use your mouse to draw notes on each 16 Step Matrix.
- Adjust the volume of the iNudge.
- Click MORE for advanced adjustment abilities.
- Get & Share allows you to Send Mail, Get Link, Get Embed code or Spread in communities.
- Use the Feedback Forum to tell us what you think, leave your comments or make suggestions.
- Check out MOST LISTENED and NEWEST iNudges below!
[via socks-studio.com]
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The next version of iOS – the operating system for the iPhone, iPad and iPod touch – will have an unexpected surprise for musicians: real MIDI support.
Apple’s iOS 4.2 update, due in November, includes some interesting new features that didn’t make Steve Job’s official announcement.
According to a report in AppleInsider, beta testers have found that iOS 4.2 adds support for the CoreMIDI framework to the operating system’s application program interfaces.
CoreMIDI could be huge for iOS music apps, because it provides standardized MIDI support. It is a built-in system that supports MIDI devices and how they communicate with other applications.
MIDI support means that the iPad could be a touchscreen control surface for any MIDI device; developers will be able to create multi-touch sequencers that control MIDI hardware; and you should be able to plug your MIDI keyboard into an iPhone, iPod touch or iPad and play your iOS software synths.
CoreMIDI on iOS 4.2
more on www.synthtopia.com
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STEINBERG RELEASED WAVELAB 7
Today, Steinberg opens a new chapter in the 15-year-long history of WaveLab. For the first time ever, the industry-acclaimed audio editing and mastering suite is available for both Mac and PC. With exceptional tools, unparalleled audio quality and a straightforward user interface, WaveLab 7 is taking audio to the next level.
“Mastering engineers the world over have been waiting for this landmark release,” comments Timo Wildenhain, product marketing manager for WaveLab. Since 1995, from version one to six, WaveLab has exclusively been available for Windows platforms, where WaveLab has rapidly become the worldwide standard application for mastering, audio editing and restoration. “We’re proud that WaveLab’s superior feature set is now available for the Mac platform. Mastering engineers, broadcast stations and hobby musicians alike will benefit from 15 years of experience in developing industry-standard mastering solutions,” Wildenhain explains.
Built on a future-proof code base, WaveLab 7 combines a plethora of new features and functionalities with a unique workflow experience. Several advanced technologies have been implemented, including VST3 support, advanced time-stretching algorithms, a state-of-the-art burning engine and DDP support. WaveLab’s user interface has been completely redesigned, now featuring powerful workspace management, customizable toolbars and an in-application help system. Besides these time-saving novelties, WaveLab 7 provides a comprehensive toolset for industry-standard mastering and audio restoration, including the Sonnox restoration suite for professional and effective noise removal and 30 highly-acclaimed VST3 plug-ins from Steinberg.
WaveLab is available in two editions: WaveLab 7, which is the first choice for professional mastering, editing and restoration, and WaveLab Elements 7, which is tailored to hobby musicians and podcasters.
Find out more on www.steinberg.net
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New Pro Tools LE Interfaces
Avid Pro Tools Mboxes Announced: New Pro Tools LE Interfaces Ditch DigiDesign Name, Add Features
Pro Tools Mbox
High-Performance Pro Tools Personal Studio
Pro Tools Mbox Mini
Compact Pro Tools Personal Recording Studio
Pro Tools Mbox Pro
High-Definition Desktop Pro Tools Studio
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There have been numerous iPhone/iPod touch applications released, and musical instrument application is one of the popular categories among users.
Guitar, bass, piano, ocarina, the list goes on and on.
EVENNO introduces The Fingerist which is a music adapter that allows you to play those applications on iPhone/iPod touch like a real guitarist.
The Fingerist is a new style iPhone/iPod touch accessory that enables you to play your applications as if you are actually playing musical instruments.
This music adapter has a built-in speaker that operates on 3 AA batteries which will enable you to perform 6-hour stage live.
find our more on evenno.com
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OTTO is an electronic musical instrument for realtime manual beat slicing of audio samples.
OTTO provides a tangible user interface designed with the aim of giving the user the feel of having the sample in his hands. The musician can manipulate an audio sample in real time through the use of a restricted number of simple physical buttons and switches.
In computer music audio samples are generally represented as the waveform itself or as little colored blocks. Since the sample inside OTTO as to be controlled really fast, the performer needs to quickly understand where and how to play a specific part. The sample visualization has been designed to provide just the information needed and nothing more.
[via www.lucaderosso.com]
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london-based japanese designer yuri suzuki is known for his interactive sound installations.
his recent experimentation has looked at the act of buying CDs which has become increasingly
more obsolete as downloading music files has gained popularity. suzuki wanted to bring value back
to the compact disc so he explored the idea of producing a CD record hybrid, first through his
series ’physical value of sound’.
then, suzuki proposed the idea of the disc to DJ jeff mills for his new music project ‘the occurence’.
the result is a disc with a vinyl press-on on one side and a CD mix on the other, merging analog
and digital music formats into one. the disc has been produced by AXIS records and manufactured
by german company optimal media production. mills’ digital-analog album is finally on the market
in a limited edition.
[via www.designboom.com]
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